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Review: 'The City of the Living' Delivers Powerful Drama but Misses Queer Representation

Edoardo Gabbriellini's film 'The City of the Living' portrays a tragic true-crime story with strong performances, yet its depiction of the murderers as solely gay men draws criticism.

In 'The City of the Living,' director Edoardo Gabbriellini dramatizes the real 2016 murder of Luca Varani, a 23-year-old Roman who worked with his father and attended night school. The film shines through Emanuele Maria Di Stefano's portrayal of Luca and the heartfelt performances of Simona Senzacqua and Valerio Mastandrea as his adoptive parents. Luca's relationship with his girlfriend Marta, played by Gaia Merlonghi, adds emotional stakes as he seeks a better future.

The narrative centers on the aftermath of his death, but critics argue that the two killers are depicted only through their sexuality, lacking any broader queer representation. This omission is seen as a missed opportunity to balance the story's empathy for the victim with a more nuanced view of the gay community.

Why it matters

The review highlights how film portrayals can influence public perception of marginalized groups.

In this story

film reviewtrue crimequeer representationItalian cinemaLuca VaraniEdoardo Gabbriellinicharacter-driven dramastereotype criticism
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